Two voices of consciousness #12

by Linda

Most of my writing ideas and my ideas in general for that matter, comes on the bus. I love the two storey buses in Glasgow, and I usually scramble up the narrow stairs holding my bus ticket in my mouth so that both my hands can be used to grasp hold on to anything steady, because the bus rides around here are not particularly suave. I take a seat in the first row if it is vacant and I hold my bag on the other seat, very annoyingly so that no one can sit next to me. I enjoy my solitude a few meters above the traffic and the rush. Sometimes I write in my notebook, but too often I don’t, since the roads even in the city centre are so bad that I get sick if I don’t gaze out through the window towards the troposphere. And I forget about the material around me. 

What are you thinking about? That I need to settle a home. And I don’t mean a home with a  cupboard where I can place my beloved and adored designer coffee cups in (I have that!), but a home base for my practice. I realise my practice is not mature enough to be talked about in different tenses, since the core of my enterprise comprise of two bodies of work spanned throughout 5 years. During these 5 years, which can be considered the time that I have been doing what I do with a professional aim and a focused attitude, I have not done any work in Finland. Since I am very much needed on two fronts in my life, I need to find a way to combine these two elements of my existence in to one physical place. You mean your family and your studio? Yes. The battle between these two has to happen somewhere that makes sense, that is durable and continuous (since this battle is going to be relentless) and that makes me happy. If I can find a base for my studio practice and make that work, I am fine with pursuing the fight.

My work has grown because of the studio I have been lucky enough to grasp this year. I have made work inside the studio in an environment completely new to me. I think the key to my future work lies in the studio as well, if I want to make something steady something that even has a time to come, I must entwine in the studio domain. And I have actually found pleasure in producing work indoors for a change. Manipulating objects to attribute and make sense of my subject matter is new territory to me, but what an appealing territory it is!

Every new project or work I engage with, has to open up my practice slightly. Because I can’t expect to learn everything at once, to acquire some form of enlightenment all of a sudden, I must be patient and accept that there is a life long learning pattern forming here. By opening my practice one step at a time, broadens my comfort zone and maybe by the long run, makes me enjoy what I do more. Or if not that, at least makes me more comfortable in the uneasiness.

I have been away from Finland for almost a year now, and this time abroad has made me more aware of what is on stake, than I have ever been before. Gaining perspective is one thing, but realising that loosing everything you have been valuing and taking for granted, is closer than ever before, gives a whole new meaning to the term ‘gaining perspective’. I have realised that I must use my vocabulary to superimpose that new, gained perspective on my practice and make something out the result. What is the result? It remains to be seen, but there is something building up here that needs to be addressed.

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